Il nostro amore per i fichi va oltre la semplice coltivazione; è una passione radicata che guida tutto ciò che facciamo. Immersa nel cuore della natura, la nostra società si dedica alla coltivazione di 21 specie uniche di fichi, ognuna con un profilo di sapore e una consistenza distinti. Dal dolce e succulento Fico Dottato al delicato e mieloso Fico Troiano. Siamo orgogliosi di offrire una gamma diversificata di fichi che soddisfa ogni palato. Il nostro viaggio è iniziato con il fascino di questo antico frutto, noto per la sua ricca storia e i suoi numerosi benefici per la salute. Nel corso degli anni, questo fascino è sbocciato in un vero e proprio impegno verso le pratiche agricole sostenibili e l'esplorazione culinaria innovativa. Crediamo che il fico non sia solo un dolce, ma un ingrediente versatile che può elevare i piatti salati a nuovi livelli. Ci spingiamo costantemente oltre i confini dell'uso tradizionale dei fichi. Ci dilettiamo a creare preparazioni salate uniche che mettono in mostra lo straordinario potenziale dei fichi. Immaginate una crostata di fichi e formaggio di capra, in cui il sapore cremoso incontra la dolcezza sottile dei nostri fichi appena raccolti. Immaginate una pizza gourmet con fichi e cipolle caramellate al balsamico, un vero capolavoro culinario che ridefinisce il concetto di comfort food. Ogni fico che coltiviamo è coltivato con cura, raccolto a mano al culmine della maturazione per garantire la migliore qualità e sapore. Il nostro impegno per la sostenibilità ci porta a impiegare metodi di coltivazione biologica, evitando prodotti chimici di sintesi a favore di soluzioni naturali, assicurando che le nostre pratiche agricole siano tanto gentili con l'ambiente quanto lo sono con i nostri alberi di fico. Al Fico d’Oro non siamo solo coltivatori di fichi. Siamo narratori, che usano il linguaggio del cibo per trasmettere il nostro amore per questo frutto straordinario. Unitevi a noi in questo viaggio saporito e scoprite come l'umile fico può trasformare la vostra esperienza culinaria.

Il nostro amore per i fichi va oltre la semplice coltivazione; è una passione radicata che guida tutto ciò che facciamo. Immersa nel cuore della natura, la nostra società si dedica alla coltivazione di 21 specie uniche di fichi, ognuna con un profilo di sapore e una consistenza distinti. Dal dolce e succulento Fico Dottato al delicato e mieloso Fico Troiano. Siamo orgogliosi di offrire una gamma diversificata di fichi che soddisfa ogni palato. Il nostro viaggio è iniziato con il fascino di questo antico frutto, noto per la sua ricca storia e i suoi numerosi benefici per la salute. Nel corso degli anni, questo fascino è sbocciato in un vero e proprio impegno verso le pratiche agricole sostenibili e l'esplorazione culinaria innovativa. Crediamo che il fico non sia solo un dolce, ma un ingrediente versatile che può elevare i piatti salati a nuovi livelli. Ci spingiamo costantemente oltre i confini dell'uso tradizionale dei fichi. Ci dilettiamo a creare preparazioni salate uniche che mettono in mostra lo straordinario potenziale dei fichi. Immaginate una crostata di fichi e formaggio di capra, in cui il sapore cremoso incontra la dolcezza sottile dei nostri fichi appena raccolti. Immaginate una pizza gourmet con fichi e cipolle caramellate al balsamico, un vero capolavoro culinario che ridefinisce il concetto di comfort food. Ogni fico che coltiviamo è coltivato con cura, raccolto a mano al culmine della maturazione per garantire la migliore qualità e sapore. Il nostro impegno per la sostenibilità ci porta a impiegare metodi di coltivazione biologica, evitando prodotti chimici di sintesi a favore di soluzioni naturali, assicurando che le nostre pratiche agricole siano tanto gentili con l'ambiente quanto lo sono con i nostri alberi di fico. Al Fico d’Oro non siamo solo coltivatori di fichi. Siamo narratori, che usano il linguaggio del cibo per trasmettere il nostro amore per questo frutto straordinario. Unitevi a noi in questo viaggio saporito e scoprite come l'umile fico può trasformare la vostra esperienza culinaria.

I fichi salati in olio extra vergine d'oliva offrono un profilo gustativo unico e complesso. La dolcezza dei fichi è attenuata e contrastata dal sale, creando un equilibrio dolce-salato ricco e intrigante. L'olio d'oliva aggiunge un sottofondo setoso e leggermente fruttato, esaltando la dolcezza naturale dei fichi e conferendo una leggera amarezza.
Il risultato è una miscela armoniosa di sapori: la dolcezza sciropposa dei fichi, la sapidità del sale e le note morbide e robuste dell'olio extravergine d'oliva.
Ogni boccone è un'esplosione di sapori contrastanti ma complementari, che lo rendono una delizia sofisticata.

I fichi salati combinati con la cipolla in olio extra vergine d'oliva creano un'esperienza di gusto profondamente stratificata e intrigante. La dolcezza naturale dei fichi, intensificata dal sale, contrasta magnificamente con il gusto intenso e leggermente pungente della cipolla. La cipolla aggiunge un sapore sapido, quasi caramellato, quando si fonde con la dolcezza dei fichi, creando un'esplosione di umami dolce-salato.
L'olio extra vergine d'oliva lega questi sapori, fornendo uno sfondo morbido e ricco con una nota di amaro fruttato.
Il gusto complessivo è un delizioso mix di note dolci, salate e leggermente amare, ognuna delle quali esalta l'altra in modo complesso e soddisfacente.

Scopri il Gusto Unico dei Fichi Caramellati e Pomodori al Forno Salati!
Stai cercando un piatto che stupisca e delizi? La nostra preparazione di fichi caramellati e pomodori al forno è ciò che fa per te! Un perfetto equilibrio tra dolce e salato, questo piatto è un'esplosione di sapori freschi e intensi. Perfetto come antipasto, contorno o per arricchire un buffet.
Non perdere l’occasione di provarlo! Vieni a trovarci al Fico d’Oro o ordina online per portare a casa questa delizia. Fatti conquistare dai sapori autentici e dall’eleganza di un piatto che racconta storie di tradizione e creatività!

Scopri la Magia di Fichi Caramellati e Peperoni!
Stai cercando un piatto che sorprenda il tuo palato? La nostra preparazione di fichi caramellati e peperoni è un’esperienza gastronomica che unisce dolcezza e sapidità in un’armonia perfetta!
La dolcezza dei fichi, intensificata dalla caramellizzazione, offre un'esplosione di sapore che si scioglie in bocca mentre i peperoni aggiungono una nota ricca, rendendo ogni morso un piacere avvolgente.
Un abbinamento sorprendente: Questa combinazione unica è ideale come antipasto raffinato o contorno gourmet, perfetta per arricchire qualsiasi occasione speciale.
Non perdere l’occasione di provarlo! Vieni a trovarci al Fico d’Oro o ordina online per portare a casa questa delizia. Con ogni boccone, scoprirai un mondo di sapori che ti conquisterà!
Fichi Caramellati e Peperoni: un piatto creativo e gustoso che non puoi lasciarti sfuggire!

Siamo specializzati nella coltivazione di tre varietà di zucche pregiate: zucca violina, zucca delica e zucca piacentina.
La Zucca Violina prende il nome dalla sua forma allungata che ricorda uno strumento musicale. La polpa è arancione vivo, dolce e compatta, perfetta per preparare vellutate, risotti e dolci. La violina è conosciuta per la sua lunga conservabilità. La Zucca Delica, di forma più compatta e rotonda, è molto apprezzata per il suo sapore delicato ma dolce che ricorda quello delle castagne. La sua polpa soda la rende ideale per cuocere al forno o per preparare gnocchi e torte salate. La buccia verde scura nasconde una polpa di un giallo intenso. La Zucca Piacentina tradizionale dell’area emiliana, ha una forma costoluta e una buccia verde-grigia. La sua polpa, arancione brillante, è meno dolce rispetto ad altre varietà, ma molto versatile in cucina. È ottima per ripieni, zuppe e tortelli.

Ci impegniamo a coltivare le nostre zucche con metodi rispettosi dell’ambiente, garantendo un prodotto di qualità che rispetta il ciclo naturale delle stagioni.

La nostra polvere di zucca è il frutto di un processo quasi magico: la trasformazione di questa meraviglia autunnale in una polvere finissima e versatile, perfetta per arricchire le tue pozioni culinarie (e no, non trasformerà il piombo in oro, ma sicuramente renderà le tue ricette d'oro!).
Ricca di vitamine e minerali, la polvere di zucca è come un tocco d'alchimia per la tua cucina, capace di trasformare ogni piatto in un capolavoro. Che tu la usi per dolci incantesimi o per pozioni salate, con un pizzico di polvere di zucca sentirai subito la magia dell'autunno.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously.
Four Seasons is a project comprised of four film installations representing the four seasons of 2020. Each film is created using a special shooting technique combined with a C# program I have specifically developed for the manipulation of the images. All the films created with this technique have a peculiarity: time ceases to exist. This is why looking at a common object can still be a new experience. For this project I selected four subjects that are typical of the season represented. You will see the entire object portrayed, appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes creating, for each frame, a pictorial vision. You see the entirety of the object at the same time.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously.
Four Seasons is a project comprised of four film installations representing the four seasons of 2020. Each film is created using a special shooting technique combined with a C# program I have specifically developed for the manipulation of the images. All the films created with this technique have a peculiarity: time ceases to exist. This is why looking at a common object can still be a new experience. For this project I selected four subjects that are typical of the season represented. You will see the entire object portrayed, appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes creating, for each frame, a pictorial vision. You see the entirety of the object at the same time.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is a two channel ULTRA HD video installation (available up to 12k resolution per channel) Edition 4/4 + 1 AP This work deals with the dualism that comes with the word tragedy. If a word that has always inspired poets and art in all its possible incarnations has recently been used for the name of a luxury perfume, Penhaligon's 'The tragedy of Lord George', there is no doubt that we are attracted by tragedy, this is a clear proof! We like tragedy even if what underlies it provokes negative emotions. On the other hand, there is nothing good about tragedy and there is always suffering and pain behind it. In nature tragedy happens everyday and it happens in the most brutal way, yes it is nature, but that does not mean it does not create suffering and pain. The two films show on one side the metal buck head used as a cap for Penhaligon's perfume and on the other side, in contrast to the first one, the skull of a young deer. The two films have been created with my technique which is able to show reality from a dimension where time ceases to exist.

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

NEW YORK CENTRAL PARK was filmed from Le Parker Meridien Hotel - Room # 4115 from the 21st of June 2009 - 11:13am local time to the 24th of June 2009 - 8:30am local time It comes in a dual channel Full HD video installation + 1 spatiotemporal scanning landscape (200 x 91cm printed on white aluminium)
Edition 4/4 + 1 AP

I nostri pomodori biologici sono come piccoli tesori coltivati con amore e rispetto per la terra.

Nessun additivo, nessuna scorciatoia: solo la pura essenza dei pomodori, imbottigliata per la vostra gioia culinaria.

Il nostro sugo di pomodoro e portulaca biologico è più di un semplice condimento: è una celebrazione del meglio della natura. Immaginate dei pomodori maturati al sole, coltivati senza pesticidi o fertilizzanti chimici, questi pomodori, vivaci e pieni di sapore, sono l'anima e il cuore del nostro sugo con portulaca. Con le sue foglie carnose e succulente, è un’erba antica che ha affascinato cuochi e guaritori per secoli. Una sua peculiarità è la sua ricchezza di omega 3. Questi acidi grassi essenziali, proteggendo il cuore, migliorando la funzione cerebrale e riducendo l’infiammazione, sono fondamentali per la nostra salute.

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

BURY ST EDMUNDS (England) was filmed from the Angel Hotel - Room # 214 from the 17th of January 2013 - 4:01pm local time to the 19th of January 2013 - 11:02am local time It comes in one channels Full HD video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

DUSSELDORF> (Germany) was filmed from the roof terrace of the Julia Stoschek Collection from the 13th of February 2011 - 5:16pm local time to the 15th of February 2011 - 8:06pm local time.
It comes in a dual channels Full HD video installation + 1 spatiotemporal scanning landscape (250 x 60cm printed on white aluminium).
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

LEIRIA (Portugal) was filmed from the Sao Luis Hotel - Room # 401 from the 25th of August 2018 - 01:00am local time to the 26th of August 2018 - 07:14am local time
It comes in one channel Full HD video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
DAVID TIBET was filmed in Hastings (United Kingdom) the 22nd of June 2012. The subject has posed still for over 30 minutes.
start time: 11:56am local time stop time: 12:27pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
LA FEMME DU MINEUR was filmed in Ceglie Messapica (Italy) the 8th of June 2014. The subject has posed still for almost 40 minutes.
start time: 7:25pm local time stop time: 7:59pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
DAVID TIBET was filmed in Hastings (United Kingdom) the 22nd of June 2012. The subject has posed still for over 30 minutes.
start time: 11:56am local time stop time: 12:27pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
LA FEMME DU MINEUR was filmed in Ceglie Messapica (Italy) the 8th of June 2014. The subject has posed still for almost 40 minutes.
start time: 7:25pm local time stop time: 7:59pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
DAVID TIBET was filmed in Hastings (United Kingdom) the 22nd of June 2012. The subject has posed still for over 30 minutes.
start time: 11:56am local time stop time: 12:27pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
LA FEMME DU MINEUR was filmed in Ceglie Messapica (Italy) the 8th of June 2014. The subject has posed still for almost 40 minutes.
start time: 7:25pm local time stop time: 7:59pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.

GAME OVER was filmed in Bologna (Italy) the 7th of January 2017. The subject has posed still for almost 35 minutes.
start time: 4:06pm local time stop time: 4:45pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.

THE GIRL WITH A PISTOL was filmed in Baiso (Italy) the 7th of September 2014. The subject has posed still for over 40 minutes.
start time: 6:04pm local time stop time: 6:45pm local time
It comes in one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
ALASTAIR UPTON is part of the sub series "IN THE GARDEN". It was filmed in Dungeness (United Kingdom) at Derek Jarman's Prospect Cottage during my artistic residency. It was filmed on the 5th of March 2024. The subject has posed still for 40 minutes.
start time: 2:21pm local time stop time: 3:00pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
DAVID TIBET was filmed in Hastings (United Kingdom) the 22nd of June 2012. The subject has posed still for over 30 minutes.
start time: 11:56am local time stop time: 12:27pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
LA FEMME DU MINEUR was filmed in Ceglie Messapica (Italy) the 8th of June 2014. The subject has posed still for almost 40 minutes.
start time: 7:25pm local time stop time: 7:59pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP